WYTCH HAZEL

V: Lamentations

Wytch Hazel has been active since 2011, and V: Lamentations marks the band’s fifth full-length release. For those already familiar with their music, their signature sound remains present on this album. Their sound could best be described as a mix of hard rock and NWOBHM (New Wave of British Heavy Metal), featuring galloping riffs and influences from 1970s psychedelic rock. However, this album dials back the heavy metal aspect a bit, leaning more into hard rock. This shift isn’t necessarily a bad thing, but it does sound lighter compared to their earlier work. The riffs are still there, and the overall theme leans slightly darker—both lyrically and sonically—without losing the almost church-like tone the band is known for. Standout tracks include ‘Woven,’ ‘Run The Race,’ and ‘Elements.’ They’re catchy, fun to sing along with, and reminiscent of Hällas.

‘The Demon Within’ is a slower, more introspective track. It’s worth noting that the entire album features Thin Lizzy-inspired guitar work, which adds depth and interest. V: Lamentations also marks the return of drummer Aaron Hay, who played on the band’s early EPs—making this album feel like something of a return to basics. ‘Elixir’ is an instrumental piece that serves as a bridge between ‘Racing Forward’ and ‘Woven.’ While ‘Racing Forward’ is more mid-paced, ‘Woven’ picks up speed with a stronger hard rock feel—yet it retains the unmistakable Wytch Hazel touch. ‘Heavy Load’ caught me off guard (mea culpa—I initially assumed it would sound like the band Heavy Load). Instead, it’s a heartfelt ballad, featuring the signature galloping riffs that define Wytch Hazel’s sound. ‘Healing Power’ closes the album. It feels like a triumph over darkness—redemption after despair, ending the record on a calm, healing note.

Overall, V: Lamentations is a strong release—more reflective and evolved. It takes a darker thematic turn and moves away from pure heavy metal toward a more hard rock orientation. Long-time fans won’t be disappointed, though newer listeners who preferred the band’s earlier, more NWOBHM-heavy material may find it a less immediate listen. Still, its accessible hard rock style may serve as a way to redeem those unfamiliar with the power of steel.